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Gender, Representation, and Transnationalism: Developing Avenues of Feminist Activism in Contemporary Cuba

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Abstract:

This paper looks how emerging feminist movements in Cuba have begun to challenge dominant discourses on gender. I focus on the formation of Magin (Image) during the nineties, as a network initiated by Cuban communication professionals in order to challenge stereotypes of women in the media and tourism, and to raise popular awareness about the lack of female representation in leadership roles, women’s “double burden,” prostitution, domestic violence, and other issues that were not being addressed by the official mass women’s organization. Although Magin was closed down by the state a few years ago, I look at the strategies by which feminist activists have sustained their visions, including the building of transnational networks with women’s organizations in Latin America and the third world. This paper also explores avenues of feminist action that have developed as Cuba opens up to a global international market. I look at the ways in which young, Afro-Cuban women use rap music to explore the intersections between gender and race, and challenge the imagery of the Tropicana dancer and the ron mulata symbol as representative of Cuban culture.

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women (82), cuban (45), gender (26), magin (25), new (21), global (21), represent (20), network (19), cuba (19), feminist (17), femal (17), imag (17), one (16), polit (15), media (14), cultur (14), transnat (13), organ (13), work (13), way (12), challeng (12),

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Cuba, gender, transnationalism, culture, feminism, representations, tourism
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Fernandes, Sujatha. "Gender, Representation, and Transnationalism: Developing Avenues of Feminist Activism in Contemporary Cuba" Paper presented at the annual meeting of the American Political Science Association, Hilton Chicago and the Palmer House Hilton, Chicago, IL, Sep 02, 2004 <Not Available>. 2009-05-26 <http://www.allacademic.com/meta/p61753_index.html>

APA Citation:

Fernandes, S. , 2004-09-02 "Gender, Representation, and Transnationalism: Developing Avenues of Feminist Activism in Contemporary Cuba" Paper presented at the annual meeting of the American Political Science Association, Hilton Chicago and the Palmer House Hilton, Chicago, IL Online <.PDF>. 2009-05-26 from http://www.allacademic.com/meta/p61753_index.html

Publication Type: Conference Paper/Unpublished Manuscript
Review Method: Peer Reviewed
Abstract: This paper looks how emerging feminist movements in Cuba have begun to challenge dominant discourses on gender. I focus on the formation of Magin (Image) during the nineties, as a network initiated by Cuban communication professionals in order to challenge stereotypes of women in the media and tourism, and to raise popular awareness about the lack of female representation in leadership roles, women’s “double burden,” prostitution, domestic violence, and other issues that were not being addressed by the official mass women’s organization. Although Magin was closed down by the state a few years ago, I look at the strategies by which feminist activists have sustained their visions, including the building of transnational networks with women’s organizations in Latin America and the third world. This paper also explores avenues of feminist action that have developed as Cuba opens up to a global international market. I look at the ways in which young, Afro-Cuban women use rap music to explore the intersections between gender and race, and challenge the imagery of the Tropicana dancer and the ron mulata symbol as representative of Cuban culture.

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Document Type: .PDF
Page count: 15
Word count: 4239
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Gender Representation and Transnationalism Developing Avenues of Feminist Activism in Contemporary Cuba Sujatha Fernandes sujathaf@princeton.edu Princeton University Prepared for delivery at the 2004 Annual Meeting of the American Political Science Association September 2 - September 5 2004. Copyright by the American Political Science Association. Keywords: Cuba gender transnationalism culture feminism representations tourism The gradual openings of Cuban socialist society to a global market economy in the contemporary period have created new forms of gender hierarchy and reinforced traditional lines
activism through film popular culture and the arts. Following the kind of flexibility that scholars have noted in the global market economy feminist activists seem to display a corresponding ability to build dialogic networks to achieve strategic aims shifting their focus to other means of organizing when certain ones become exhausted or dissolved by the state. 30 See for instance Arjun Appadurai (1990) "Disjuncture and Difference in the Global Cultural Economy " Public Culture 2(2):1-24; Paul Gilroy (1987) There


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