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On The Political Leadership of Willie Stark
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Ealy, On Willie Stark as Political Leader
27
Corruption: Concepts and Contexts, third edition (New Brunswick: Transaction
Publishers, 2002).
18
Warren, “Introduction to the Modern Library Edition,” 93.
19
Warren, “Introduction to the Modern Library Edition,” 94.
20
It is worth asking the question, who is the “king” of the novel’s title? Lane
(“The Stark Regime and American Democracy,” 813) takes Willie Stark to be the
king. If, however, the king is intended to be someone far more powerful than a
mere state governor, Willie is just one of the men along with everyone else in the
novel. Or, perhaps, Willie is Humpty Dumpty. See James Ruoff, “Humpty
Dumpty and All the King’s Men: A Note on Robert Penn Warren’s Teleology,” in
Chambers, Twentieth Century Interpretations, 84-87.
21
See Warren’s important essays “The Use of the Past,” p. 46, and “Why Do We
Read Fiction?,” pp. 60-62, in Robert Penn Warren, New and Selected Essays
(New York: Random House, 1989).
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Ealy, On Willie Stark as Political Leader
27
Corruption: Concepts and Contexts, third edition (New Brunswick: Transaction
Publishers, 2002).
18
Warren, “Introduction to the Modern Library Edition,” 93.
19
Warren, “Introduction to the Modern Library Edition,” 94.
20
It is worth asking the question, who is the “king” of the novel’s title? Lane
(“The Stark Regime and American Democracy,” 813) takes Willie Stark to be the
king. If, however, the king is intended to be someone far more powerful than a
mere state governor, Willie is just one of the men along with everyone else in the
novel. Or, perhaps, Willie is Humpty Dumpty. See James Ruoff, “Humpty
Dumpty and All the King’s Men: A Note on Robert Penn Warren’s Teleology,” in
Chambers, Twentieth Century Interpretations, 84-87.
21
See Warren’s important essays “The Use of the Past,” p. 46, and “Why Do We
Read Fiction?,” pp. 60-62, in Robert Penn Warren, New and Selected Essays
(New York: Random House, 1989).
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