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Re-Thinking Uncle Tom: Wrong Turns in Black History
Unformatted Document Text:  Re-Thinking Uncle Tom by W. B. Allen 24 43 Cf. Brooks on melodrama: “The reward of virtue…is only a secondary manifestation of the recognition of virtue.” [Brooks, P. (1976). The Melodramatic Imagination: Balzac, Henry James, Melodrama, and theMode of Excess. New Haven, Yale University Press p. 27. Emphasis added.] 44 That Tom should travel through such wilderness is intrinsic to the melodramatic structure, which typically includes “…a threat to virtue, a situation—and most often a person—to cast its very survival intoquestion…” [Ibid, p. 29.] 45 UTC, pp. 400-401. 46 The religious radicals are not right, in the last analysis, although despotic slave owners must occur in some number. This result is in fact the work of human nature, as much as or more than the work ofconditioning. While the institution is unjust or sinful, the men may or may not be.

Authors: Allen, William.
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Re-Thinking Uncle Tom by W. B. Allen
24
43
Cf. Brooks on melodrama: “The reward of virtue…is only a secondary manifestation of the recognition
of virtue.” [Brooks, P. (1976). The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the
Mode of Excess
. New Haven, Yale University Press p. 27. Emphasis added.]
44
That Tom should travel through such wilderness is intrinsic to the melodramatic structure, which
typically includes “…a threat to virtue, a situation—and most often a person—to cast its very survival into
question…” [Ibid, p. 29.]
45
UTC, pp. 400-401.
46
The religious radicals are not right, in the last analysis, although despotic slave owners must occur in
some number. This result is in fact the work of human nature, as much as or more than the work of
conditioning. While the institution is unjust or sinful, the men may or may not be.


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