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Auditory Interfaces as a Sign System: An Application of Peircean Semiotics to Human-Computer Interaction
Unformatted Document Text:  Y\ computerized sound. Cambridge, MA: The MIT Press. NASA Human performance research Group. (1987). Task load index. NASA Arnes Resarch Center. Noth, W. (1990). Handbook of Semiotics. Bloomigton: Indiana University Press. Peirce, C. (1955). Philosophical Writings of Peirce. New York: Dover. Peirce, C. (1992). The essential Peirce. Vol.1, New York: Cambridge University Press. Pierce, J. (1999). Introduction to pitch perception. In Cook, P.R. (Ed.). Music, cognition, and computerized sound. Cambridge, MA: The MIT Press.Cambridge: The MIT Press. Preece, J. (1994). Human-computer interaction. Wokingham, England: Addoson-Wesley. Reeves, B. & Nass, C. (1996). The Media Equation. New York: Cambridge University Press. Shneiderman, B. (1998). Designing the User Interface. (3rd ed.). Reading, Mass: Addison Wesley Longman. Turino, T. (1999). Signs of imagination, Identity, and Experience: A Pician Semiotics theory of Music. Ethnomusicology Vol.43, NO.2, 221-255. Wixon, D. (1997). The usability Engineering Framework for product design and evaluation. In Helander, M.G., Landauer, T.K., Prabhu, P.V (Eds.).Handbook of Human-Computer Interaction. (2nd ed.). Amsterdam: North-Holland.

Authors: Nam, Yoon Jae.
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background image
Y\
computerized sound. Cambridge, MA: The MIT Press.
NASA Human performance research Group. (1987). Task load index. NASA Arnes Resarch
Center.
Noth, W. (1990). Handbook of Semiotics. Bloomigton: Indiana University Press.
Peirce, C. (1955). Philosophical Writings of Peirce. New York: Dover.
Peirce, C. (1992). The essential Peirce. Vol.1, New York: Cambridge University Press.
Pierce, J. (1999). Introduction to pitch perception. In Cook, P.R. (Ed.). Music, cognition, and
computerized sound. Cambridge, MA: The MIT Press.Cambridge: The MIT Press.
Preece, J. (1994). Human-computer interaction. Wokingham, England: Addoson-Wesley.
Reeves, B. & Nass, C. (1996). The Media Equation. New York: Cambridge University Press.
Shneiderman, B. (1998). Designing the User Interface. (3rd ed.). Reading, Mass: Addison Wesley
Longman.
Turino, T. (1999). Signs of imagination, Identity, and Experience: A Pician Semiotics theory of Music.
Ethnomusicology Vol.43, NO.2, 221-255.
Wixon, D. (1997). The usability Engineering Framework for product design and evaluation. In
Helander, M.G., Landauer, T.K., Prabhu, P.V (Eds.).Handbook of Human-Computer
Interaction. (2nd ed.). Amsterdam: North-Holland.


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