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Caribbean Negritos: Ramón Rivero, Blackface, and ‘Black’ Voice in Puerto Rico
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Mathews, J. B. (1943). J.B. Mathews Papers, Unpublished manuscript. Duke University, North
Carolina.
Morfi, A. (1980). Historia CrÃtica de un Siglo de Teatro Puertorriqueño. España: Manuel Pareja. Moore, R. (1997). Nationalizing Blackness: Afrocubanismo & Artistic Revolution in Havana,
1920-1940. Pittsburgh: University of Pittsburgh Press.
Morris, N. (1995). Puerto Rico: Culture, Politics and Identity. Westport, Connecticut: Praeger. Muguercia, M. (1984). El "teatro de arte" en Cuba entre 1936 y 1950. Revista Tablas, 4, 2-15. Negrón-Portillo, M. (1997). Puerto Rico: Surviving Colonialism and Nationalism. In F. Negrón-
Muntaner & R. Grosfoguel (Eds.), Puerto Rican Jam: Essays on Culture and Politics (pp. 39-56). Minneapolis: University of Minnesota Press.
Quintero-Rivera, A. (1986). Conflictos de clase y polÃtica en Puerto Rico. RÃo Piedras: Huracán. Rivero, R. (1948-1956). El tremendo hotel. Unpublished scripts. Rivero, R. (2000). Diplo y su Tremendo Hotel. Radio recordings. Fundación Ramón Rivero. Rivero, Y. (2001). Beyond U.S. Dominance: Cuban and Local Influences on the Origins of
Puerto Rican Commercial Television. Centro Journal, XIII(1), 60-77.
Roediger, D. R. (1991). The Wages of Whiteness: Race and the Making of the American Working
Class. New York: Verso.
Rogin, M. (1996). Blackface, White Noice: Jewish Immigrants in the Hollywood Melting Pot.
Los Angeles: University of California Press.
Sánchez-Korrol, V. (1994). From Colonia to Community: The History of Puerto Ricans in New
York City. Los Angeles: University of California Press.
Salgado, C. (1999). CubaRican: Efectos de la capilaridad colonial. Paper presented at the
Second Cuban Researcy Institute Conference on Cuban and Cuban-American Studies, Florida.
Silén, J. A. (1980). Historia de la nación puertorriqueña. RÃo Piedras, Puerto Rico: Editorial
Edil, Inc.
Sollors, W. (1986). Beyond Ethnicity: Consent and Descent in American Culture. New York:
Oxford University Press.
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25
Mathews, J. B. (1943). J.B. Mathews Papers, Unpublished manuscript. Duke University, North
Carolina.
Morfi, A. (1980). Historia CrÃtica de un Siglo de Teatro Puertorriqueño. España: Manuel Pareja.
Moore, R. (1997). Nationalizing Blackness: Afrocubanismo & Artistic Revolution in Havana,
1920-1940. Pittsburgh: University of Pittsburgh Press.
Morris, N. (1995). Puerto Rico: Culture, Politics and Identity. Westport, Connecticut: Praeger.
Muguercia, M. (1984). El "teatro de arte" en Cuba entre 1936 y 1950. Revista Tablas, 4, 2-15.
Negrón-Portillo, M. (1997). Puerto Rico: Surviving Colonialism and Nationalism. In F. Negrón-
Muntaner & R. Grosfoguel (Eds.), Puerto Rican Jam: Essays on Culture and Politics (pp.
39-56). Minneapolis: University of Minnesota Press.
Quintero-Rivera, A. (1986). Conflictos de clase y polÃtica en Puerto Rico. RÃo Piedras: Huracán.
Rivero, R. (1948-1956). El tremendo hotel. Unpublished scripts.
Rivero, R. (2000). Diplo y su Tremendo Hotel. Radio recordings. Fundación Ramón Rivero.
Rivero, Y. (2001). Beyond U.S. Dominance: Cuban and Local Influences on the Origins of
Puerto Rican Commercial Television. Centro Journal, XIII(1), 60-77.
Roediger, D. R. (1991). The Wages of Whiteness: Race and the Making of the American Working
Class. New York: Verso.
Rogin, M. (1996). Blackface, White Noice: Jewish Immigrants in the Hollywood Melting Pot.
Los Angeles: University of California Press.
Sánchez-Korrol, V. (1994). From Colonia to Community: The History of Puerto Ricans in New
York City. Los Angeles: University of California Press.
Salgado, C. (1999). CubaRican: Efectos de la capilaridad colonial. Paper presented at the
Second Cuban Researcy Institute Conference on Cuban and Cuban-American Studies,
Florida.
Silén, J. A. (1980). Historia de la nación puertorriqueña. RÃo Piedras, Puerto Rico: Editorial
Edil, Inc.
Sollors, W. (1986). Beyond Ethnicity: Consent and Descent in American Culture. New York:
Oxford University Press.
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