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Backwards Up Niagara Falls: Space/Time, Image/Text and the Biases of Information
Unformatted Document Text:  28 Benedetti, P. and DeHard, N. (Eds.). (1997). Forward Through the Rearview Mirror: Reflections on and by Marshall McLuhan. Ontario: Prentice Hall Canada. Black, D. A. (2001). Internet Radio: A Case Study in Medium Specificity. Media, Culture and Society, 23, 397-408. Bolter, J. D. (1991). Writing Space: The Computer, Hypertext and the History of Writing. Hillsdale, N.J.: Lawrence Erlbaum Associates. Bolter, J. D. (1996). Ekphrasis, Virtual Reality and the Future of Writing. In Geoffrey Nunberg (Ed.) The Future of the Book (pp. 253-272). Berkeley: University of California Press. Bolter, J. D. & Grusin, R. (1999). Remediation: Understanding New Media. Cambridge, Mass.: MIT Press. Booth, W. (1994). The Company We Keep: Self-Making in Imaginative Art, Old and New. in H. Newcomb (Ed.) Television: The Critical View (pp. 503-515). Oxford: Oxford University Press. Boyle, J. (2002). The Second Enclosure Movement and the Construction of the Public Domain. Preliminary Discussion Paper for Conference on the Public Domain at Duke Law School. Bourdieu, P. (1986). Distinction: A Social Critique of the Judgement of Taste. London: Routledge. Bourdieu, P. (1993). The Field of Cultural Production. trans. Randal Johnson. Cambridge: Polity Press. Carey, J. (1992). Communication as Culture: Essays on Media and Society. New York: Routledge. Carroll, N. (1988). Philosophical Problems of Classical Film Theory. Princeton: Princeton University Press.

Authors: Frosh, Paul.
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28
Benedetti, P. and DeHard, N. (Eds.). (1997). Forward Through the Rearview Mirror:
Reflections on and by Marshall McLuhan. Ontario: Prentice Hall Canada.
Black, D. A. (2001). Internet Radio: A Case Study in Medium Specificity. Media, Culture
and Society, 23, 397-408.
Bolter, J. D. (1991). Writing Space: The Computer, Hypertext and the History of Writing.
Hillsdale, N.J.: Lawrence Erlbaum Associates.
Bolter, J. D. (1996). Ekphrasis, Virtual Reality and the Future of Writing. In Geoffrey
Nunberg (Ed.) The Future of the Book (pp. 253-272). Berkeley: University of
California Press.
Bolter, J. D. & Grusin, R. (1999). Remediation: Understanding New Media. Cambridge,
Mass.: MIT Press.
Booth, W. (1994). The Company We Keep: Self-Making in Imaginative Art, Old and New. in
H. Newcomb (Ed.) Television: The Critical View (pp. 503-515). Oxford: Oxford
University Press.
Boyle, J. (2002). The Second Enclosure Movement and the Construction of the Public
Domain. Preliminary Discussion Paper for Conference on the Public Domain at Duke
Law School.
Bourdieu, P. (1986). Distinction: A Social Critique of the Judgement of Taste. London:
Routledge.
Bourdieu, P. (1993). The Field of Cultural Production. trans. Randal Johnson. Cambridge:
Polity Press.
Carey, J. (1992). Communication as Culture: Essays on Media and Society. New York:
Routledge.
Carroll, N. (1988). Philosophical Problems of Classical Film Theory. Princeton: Princeton
University Press.


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