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From Midnight to Broad Daylight: The constructive capabilities of techno and
Unformatted Document Text:  From Midnight to Broad Daylight 26 References Bakhtin, M. M. (1981). The Dialogic Imagination: Four essays. (Ed.). M. Holquist. Trans. by: C. Emerson & M. Holquist. Austin, TX: Universtiy of Texas Press. Bakhtin, M. M. (1984). Problems of Dostoevsky’s Poetics. (Ed.). C. Emerson. Trans. by: C. Emerson. Minneapolis, MN: University of Minnesota Press. Bakhtin, M. M. (1984). Rabelais and His World. Trans. by: H. Iswolsky. Bloomington, IN: Indiana University Press. Bakhtin, M. M. (1990). Art and Answerability: Early philosophical essay by M. M. Bakhtin. (Ed.). M. Holquist & V. Liapunov. Trans. by: V. Liapunov. Austin, TX: University of Texas Press. Birchmeier, J. (1999). Detroit parties provide surreal musical environment. Michigan Daily Online. http://www.michigandaily.com/daily/1999/apr/04-01-99/arts/arts2.html DEMF: Detroit Electronic Music Festival [online] http://www.electronicmusicfest.com/ Glazer, J. Time Has Com. Real Detroit Weekly, vol. 14 [Online]. December 9-15, 1999. www.getrealdetroit.com/coverstory.htm Goldberg, M. Who sold out electronic music? Salon.com. (March 14, 2000). www.salon.com Hartigan, Jr., J. (1999). Racial Situations: Class predicaments of whiteness in Detroit. Princeton, NJ: Princeton University Press. Herron, J. (1993). AfterCulture: Detroit and the humiliation of history. Detroit, MI: Wayne State University Press. Hoy, M. (1992). Bakhtin and Popular Culture. New Literary History 23: 765-782. Jacoby, T. (1998). Someone Else’s House. New York: Free Press. Martin, D. (1999). Power Play and Party Politics: The significance of raving. Journal of Popular Culture 32(4): 77-99. McCollum, B. (2000, May 30). Technotown. Detroit Free Press, pp. C1, C2. McCollum, B. The world takes notice of electronic music event. Showcase growing for Detroit festival in May. Detroit Free Press [Online]. March 29, 2001.

Authors: Farrugia, Rebekah.
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From Midnight to Broad Daylight
26
References
Bakhtin, M. M. (1981). The Dialogic Imagination: Four essays. (Ed.). M. Holquist. Trans. by:
C. Emerson & M. Holquist. Austin, TX: Universtiy of Texas Press.

Bakhtin, M. M. (1984). Problems of Dostoevsky’s Poetics. (Ed.). C. Emerson. Trans. by: C.
Emerson. Minneapolis, MN: University of Minnesota Press.

Bakhtin, M. M. (1984). Rabelais and His World. Trans. by: H. Iswolsky. Bloomington, IN:
Indiana University Press.
Bakhtin, M. M. (1990). Art and Answerability: Early philosophical essay by M. M. Bakhtin.
(Ed.). M. Holquist & V. Liapunov. Trans. by: V. Liapunov. Austin, TX: University of
Texas Press.

Birchmeier, J. (1999). Detroit parties provide surreal musical environment. Michigan Daily
Online. http://www.michigandaily.com/daily/1999/apr/04-01-99/arts/arts2.html

DEMF: Detroit Electronic Music Festival [online] http://www.electronicmusicfest.com/

Glazer, J. Time Has Com. Real Detroit Weekly, vol. 14 [Online]. December 9-15, 1999.
www.getrealdetroit.com/coverstory.htm

Goldberg, M. Who sold out electronic music? Salon.com. (March 14, 2000). www.salon.com

Hartigan, Jr., J. (1999). Racial Situations: Class predicaments of whiteness in Detroit.
Princeton, NJ: Princeton University Press.

Herron, J. (1993). AfterCulture: Detroit and the humiliation of history. Detroit, MI: Wayne
State University Press.

Hoy, M. (1992). Bakhtin and Popular Culture. New Literary History 23: 765-782.

Jacoby, T. (1998). Someone Else’s House. New York: Free Press.

Martin, D. (1999). Power Play and Party Politics: The significance of raving. Journal of
Popular Culture 32(4): 77-99.

McCollum, B. (2000, May 30). Technotown. Detroit Free Press, pp. C1, C2.

McCollum, B. The world takes notice of electronic music event. Showcase growing for Detroit
festival in May. Detroit Free Press [Online]. March 29, 2001.


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