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Introduction to “Four Accomplishments”: a Principled Web-Based Unit
Unformatted Document Text:  Walton Presentation Prize Application Introduction to “Four Accomplishments”: a Principled Web-Based Unit This paper discusses a web-based unit of college-level Introduction to Chinese Culture and its supporting pedagogical theories and principles. The purpose of developing this web-based learning environment is to use computer technology and web resources to make up for the limited time in the classroom and more important, to enrich student learning. The unit, however, indicates that with current technology, Introduction to Chinese Culture can be designed as a distance learning course, which is not limited by learner locales and thus may increase enrollment. The unit is made up of five lessons: four on Chinese calligraphy, painting, poetry and music, which were considered the “Four Accomplishments” in traditional China, and one on Chinese symbolism, an extension of the calligraphy and painting lessons. Each lesson consists of an introduction, lesson outline/teacher information and various individual and collaborative multimedia tasks. The design of the unit is supported by relevant pedagogical theories and principles in culturally sensitive learning, learning styles, learning assessment, web-based instruction, and learner age. Culturally sensitive learning addresses the five dimensions of multicultural education proposed by the Banks (1995): knowledge construction process, content integration, prejudice reduction, an equity pedagogy and an empowering social culture. Many activities in the unit “acknowledge and incorporate learner input and perspective-taking” (Ngeow and Kong, 2002), which follow the principles of the constructive learning paradigm, and Henderson’s (1996) “multiple cultural paradigm”, as they value students’ different perspectives and encourage them to share. In this unit on culture, students acquire not only multicultural literacy (i.e., facts about another culture) but also multicultural competence (i.e., ability to interact with people of another culture) as they need to, e.g., evaluate Chinese paintings, communicate with and learn from Chinese art students/artists. Prejudice reduction is achieved by teaching students to perceive things and people in a specific cultural context. An equity pedagogy is reflected by requiring students to learn about Chinese culture with a purpose of appreciating and spreading it, tasks of which engage students in in-depth thinking and applying their newly acquired knowledge and skills. An empowering social culture is built through collaborative projects on the course blog, discussion forum on Ning network, Podcast and YackPack voice environment. The learning styles accommodated are those described in “the Dunn’s model” (Chau, 2006): visual, auditory, tactile/kinesthetic, individual and collaborative styles . A combination of formative and summative assessment is used to evaluate student learning, as the latter is far from sufficient to effective instruction because it can not inform the instructor about student learning progress and the suitability of instructional content and strategies. The unit has many components required by an effective instructional website: interactive projects, a consistent, clear and concise layout, easy navigation, noticeable links, ALT tags, etc. As the target audience is undergraduate students at an American university, the design of the unit is in line with most of the undergraduate education principles developed by Chickering and Gamson (1987), e.g., student-faculty contact, cooperation among students, active learning, prompt feedback, high expectations, and respect for diverse talents and ways of learning.

Authors: Le, Fushun.
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Walton Presentation Prize Application
Introduction to “Four Accomplishments”: a Principled Web-Based Unit
 
    This paper discusses a web-based unit of college-level Introduction to Chinese Culture 
and its supporting pedagogical theories and principles. The purpose of developing this 
web-based learning environment is to use computer technology and web resources to 
make up for the limited time in the classroom and more important, to enrich student 
learning. The unit, however, indicates that with current technology, Introduction to 
Chinese Culture can be designed as a distance learning course, which is not limited by 
learner locales and thus may increase enrollment. The unit is made up of five lessons: 
four on Chinese calligraphy, painting, poetry and music, which were considered the 
“Four Accomplishments” in traditional China, and one on Chinese symbolism, an 
extension of the calligraphy and painting lessons. Each lesson consists of an introduction, 
lesson outline/teacher information and various individual and collaborative multimedia 
tasks.    
     The design of the unit is supported by relevant pedagogical theories and principles in 
culturally sensitive learning, learning styles, learning assessment, web-based instruction, 
and learner age. Culturally sensitive learning addresses the five dimensions of 
multicultural education proposed by the Banks (1995): knowledge construction process, 
content integration, prejudice reduction, an equity pedagogy and an empowering social 
culture. Many activities in the unit “acknowledge and incorporate learner input and 
perspective-taking” (Ngeow and Kong, 2002), which follow the principles of the 
constructive learning paradigm, and Henderson’s (1996) “multiple cultural paradigm”, as 
they value students’ different perspectives and encourage them to share. In this unit on 
culture, students acquire not only multicultural literacy (i.e., facts about another culture) 
but also multicultural competence (i.e., ability to interact with people of another culture) 
as they need to, e.g., evaluate Chinese paintings, communicate with and learn from 
Chinese art students/artists. Prejudice reduction is achieved by teaching students to 
perceive things and people in a specific cultural context. An equity pedagogy is reflected 
by requiring students to learn about Chinese culture with a purpose of appreciating and 
spreading it, tasks of which engage students in in-depth thinking and applying their newly 
acquired knowledge and skills. An empowering social culture is built through 
collaborative projects on the course blog, discussion forum on Ning network, Podcast and 
YackPack voice environment. The learning styles accommodated are those described in 
“the Dunn’s model” (Chau, 2006): visual, auditory, tactile/kinesthetic, individual and 
collaborative styles
A combination of formative and summative assessment is used to 
evaluate student learning, as the latter is far from sufficient to effective instruction 
because it can not inform the instructor about student learning progress and the suitability 
of instructional content and strategies. The unit has many components required by an 
effective instructional website: interactive projects, a consistent, clear and concise layout, 
easy navigation, noticeable links, ALT tags, etc. As the target audience is undergraduate 
students at an American university, the design of the unit is in line with most of the 
undergraduate education principles developed by Chickering and Gamson (1987), e.g., 
student-faculty contact, cooperation among students, active learning, prompt feedback, 
high expectations, and respect for diverse talents and ways of learning.


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