Citation

“Is U Is Or Is U Ain’t” Black?: Haki Madhubuti, the Black Arts Movement, and the Call for Collective Catharsis

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Abstract:

This paper will focus on the goal of Black Arts poet, publisher and scholar Haki Madhubuti (Don L. Lee) to publicize and perform Frantz Fanon's theory of “collective catharsis,” of African Americans in the 1960s and 1970s in order to bring them to a communal consciousness. Madhubuti, like other artists operating within this movement, composed pieces that were self-reflective, deconstructive and, paradoxically, reconstructive to the black identity. Selected pieces from his collections Black Words That Say: Don’t Cry, Scream (1969) and We Walk the Way of the New World (1970) will compose the structure of my analysis of the theories of Fanon and a host of other scholars from the Black Arts Movement. Some goals for this paper include: the establishment of a working definition of “collective catharsis” as posited by Fanon and supported by re-readings of Sigmund Freud, Jacques Lacan, and Harold Cruse; connecting the evolved and adapted theories of Black Arts critics and scholars to Fanon’s definition in length; and finally, showing selected works of Madhubuti as the theory of Fanon (and the later theorists) in practice.

Author's Keywords:

Black Arts Movement
Convention
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Association:
Name: 94th Annual Convention
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http://www.asalh.org


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URL: http://citation.allacademic.com/meta/p377380_index.html
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MLA Citation:

Davis, Markeysha. "“Is U Is Or Is U Ain’t” Black?: Haki Madhubuti, the Black Arts Movement, and the Call for Collective Catharsis" Paper presented at the annual meeting of the 94th Annual Convention, Hilton Cincinnati Netherland Plaza, Cincinnati, Ohio, Sep 30, 2009 <Not Available>. 2014-11-28 <http://citation.allacademic.com/meta/p377380_index.html>

APA Citation:

Davis, M. D. , 2009-09-30 "“Is U Is Or Is U Ain’t” Black?: Haki Madhubuti, the Black Arts Movement, and the Call for Collective Catharsis" Paper presented at the annual meeting of the 94th Annual Convention, Hilton Cincinnati Netherland Plaza, Cincinnati, Ohio <Not Available>. 2014-11-28 from http://citation.allacademic.com/meta/p377380_index.html

Publication Type: Individual Paper
Review Method: Peer Reviewed
Abstract: This paper will focus on the goal of Black Arts poet, publisher and scholar Haki Madhubuti (Don L. Lee) to publicize and perform Frantz Fanon's theory of “collective catharsis,” of African Americans in the 1960s and 1970s in order to bring them to a communal consciousness. Madhubuti, like other artists operating within this movement, composed pieces that were self-reflective, deconstructive and, paradoxically, reconstructive to the black identity. Selected pieces from his collections Black Words That Say: Don’t Cry, Scream (1969) and We Walk the Way of the New World (1970) will compose the structure of my analysis of the theories of Fanon and a host of other scholars from the Black Arts Movement. Some goals for this paper include: the establishment of a working definition of “collective catharsis” as posited by Fanon and supported by re-readings of Sigmund Freud, Jacques Lacan, and Harold Cruse; connecting the evolved and adapted theories of Black Arts critics and scholars to Fanon’s definition in length; and finally, showing selected works of Madhubuti as the theory of Fanon (and the later theorists) in practice.


Similar Titles:
“Is U Is Or Is U Ain’t” Black?: Don L. Lee, The Black Arts Movement, and the Call for Collective Catharsis

“…Calling ALL Black People…”: The Internationalization of the Black Arts Movement, 1966-1969

Black Feminism and Activism: Call and Response between the Combahee River Collective and Patricia Hill Collins

Collective Action or Faceless Movement? American Anti-Slavery Discourse, Free Black Communities, and Questions of Authorship in the Early-Nineteenth Century


 
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