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Association: Name: National Women's Studies Association URL: http://www.nwsa.org
Citation: URL: http://citation.allacademic.com/meta/p429365_index.html Direct Link: HTML Code:

Trench, Carolyn. "Kara Walker: Cut as Masochistic Liberation" Paper presented at the annual meeting of the National Women's Studies Association, Sheraton Denver Downtown Hotel, Denver, CO, Nov 11, 2010 <Not Available>. 2013-06-10 <http://citation.allacademic.com/meta/p429365_index.html>

Trench, C. J. , 2010-11-11 "Kara Walker: Cut as Masochistic Liberation" Paper presented at the annual meeting of the National Women's Studies Association, Sheraton Denver Downtown Hotel, Denver, CO <Not Available>. 2013-06-10 from http://citation.allacademic.com/meta/p429365_index.html

Publication Type: Individual Paper Review Method: Peer Reviewed Abstract: Presenting fraught interactions of race, class, and gender, Kara Walker’s antebellum-inflected silhouettes have drawn controversy as well as acclaim. Most infamously, Betye Saar’s late 1990s letter campaign alleged that Walker traffics in stereotypes for the pleasure of the elite white art market. The question raised by the controversy is fundamental: Can Walker's work be productively recuperated from a feminist, African-American, or queer studies perspective? Using Walker’s 1998 work Cut, my paper theorizes a possible political reclamation of the raced and gendered violence represented in this piece and in Walker’s oeuvre more broadly.

Saving Grace: The Incarnational Art of Flannery OConnor, the "Bad Catholicism" of Walker Percy and the Immanent Mysticism of Nietzsche as Potential Routes to the Quickening of Bourgeois Liberalism

Gender, Technology, Power, and Sexuality: Jane Austin, Kara Walker, and Ryan Trecartin as Social Theorists

Masking Traditions in the Works of Zora Neale Hurston and Kara Walker