Citation

Another Staging of the Draupadi Story: Performative Feminism from Bengal

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Abstract:

This paper addresses Bratati Bandyopadhyay’s recitation of the poem “Draupadi Janma” which reconceptualizes, as a protestor, the wife Draupadi of the Indian epic The Mahabharata. Draupadi was wagered by her husbands in a game of dice, and assaulted by her husbands’ rivals. In her recitation Bandyopadhyay uses staged gestures and movements, such as walking towards men on a period set as she poses piercing questions or makes assertions. While Mahasweta Devi’s and Spivak’s re-writing of Draupadi’s story brought one kind of revolutionary figure from Bengal into the American academy, Bandyopadhyay’s performance, despite its outsider status, could bring in another.
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Association:
Name: National Women's Studies Association
URL:
http://www.nwsa.org


Citation:
URL: http://citation.allacademic.com/meta/p429581_index.html
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MLA Citation:

Mukherjee, Srimati. "Another Staging of the Draupadi Story: Performative Feminism from Bengal" Paper presented at the annual meeting of the National Women's Studies Association, Sheraton Denver Downtown Hotel, Denver, CO, <Not Available>. 2014-11-27 <http://citation.allacademic.com/meta/p429581_index.html>

APA Citation:

Mukherjee, S. "Another Staging of the Draupadi Story: Performative Feminism from Bengal" Paper presented at the annual meeting of the National Women's Studies Association, Sheraton Denver Downtown Hotel, Denver, CO <Not Available>. 2014-11-27 from http://citation.allacademic.com/meta/p429581_index.html

Publication Type: Individual Paper
Abstract: This paper addresses Bratati Bandyopadhyay’s recitation of the poem “Draupadi Janma” which reconceptualizes, as a protestor, the wife Draupadi of the Indian epic The Mahabharata. Draupadi was wagered by her husbands in a game of dice, and assaulted by her husbands’ rivals. In her recitation Bandyopadhyay uses staged gestures and movements, such as walking towards men on a period set as she poses piercing questions or makes assertions. While Mahasweta Devi’s and Spivak’s re-writing of Draupadi’s story brought one kind of revolutionary figure from Bengal into the American academy, Bandyopadhyay’s performance, despite its outsider status, could bring in another.


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Performing Global Feminism: "Seven" from Page to Stage


 
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