Citation

“Dressed to (En)gender a Revolution: Performing the Black Female Body on the Radical Stage”

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Abstract:

The framework for judging the impact of political movements often centers on the intellectual and ideological ramifications of the movement. These evaluations handle the movement’s successes or failures as a function of its spread among intellectuals or political leaders. Similarly, movements created by an oppressed people for the advancement of their group or for the overthrow of the oppressor are often judged pragmatically by the measure of the achievements of their declared goals and by the shift, if any, in political power. However, many studies fail to take into account aesthetic and sartorial changes that occur as a result of a collective confidence and shared identity in the struggle. In fact, shifts in bodily aesthetic representations have often aided in the realization of political movements’ goals.
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Association:
Name: 34th Annual National Council for Black Studies
URL:
http://www.ncbsonline.org


Citation:
URL: http://citation.allacademic.com/meta/p429897_index.html
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MLA Citation:

Hamilton, Allison. "“Dressed to (En)gender a Revolution: Performing the Black Female Body on the Radical Stage”" Paper presented at the annual meeting of the 34th Annual National Council for Black Studies, Sheraton New Orleans Hotel, New Orleans, LA, <Not Available>. 2014-11-28 <http://citation.allacademic.com/meta/p429897_index.html>

APA Citation:

Hamilton, A. "“Dressed to (En)gender a Revolution: Performing the Black Female Body on the Radical Stage”" Paper presented at the annual meeting of the 34th Annual National Council for Black Studies, Sheraton New Orleans Hotel, New Orleans, LA <Not Available>. 2014-11-28 from http://citation.allacademic.com/meta/p429897_index.html

Publication Type: Panelist Abstract
Abstract: The framework for judging the impact of political movements often centers on the intellectual and ideological ramifications of the movement. These evaluations handle the movement’s successes or failures as a function of its spread among intellectuals or political leaders. Similarly, movements created by an oppressed people for the advancement of their group or for the overthrow of the oppressor are often judged pragmatically by the measure of the achievements of their declared goals and by the shift, if any, in political power. However, many studies fail to take into account aesthetic and sartorial changes that occur as a result of a collective confidence and shared identity in the struggle. In fact, shifts in bodily aesthetic representations have often aided in the realization of political movements’ goals.


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Professionalizing the Black Female Body: Race, Gender, and Business in James VanDerZee’s Photographs

The Little Black Dress: How Key Demographic Variables, Body Mass Index, and Hair Color, Influence the Degree to Which College Aged Females Find Red Carpet Gowns Attractive

Revealing Venus: The Spectacle of the Black Female Body (Re)Made Spectacular through the Black Female Neo-Burlesque Performer


 
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