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Vasari in Venice, Revisited

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Abstract:

Vasari travelled to Venice twice, in 1541-42 and in 1566. Although some aspects of his visits have been studied, many questions still remain: what he saw in this major center of artistic production that was so different from the central Italian context in which he thrived; what works of art he left behind, in painted and in print form; and what he took away from Venice when he left. This paper will focus on lesser-known works by Vasari in Venice - such as designs for woodcut illustrations - and what they reveal about the literary and artistic circles in which he moved.
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Association:
Name: RSA Annual Meeting
URL:
http://www.rsa.org


Citation:
URL: http://citation.allacademic.com/meta/p481092_index.html
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MLA Citation:

Gregory, Sharon. "Vasari in Venice, Revisited" Paper presented at the annual meeting of the RSA Annual Meeting, Hilton Montreal Bonaventure Hotel, Montreal, Quebec Canada, <Not Available>. 2014-11-26 <http://citation.allacademic.com/meta/p481092_index.html>

APA Citation:

Gregory, S. "Vasari in Venice, Revisited" Paper presented at the annual meeting of the RSA Annual Meeting, Hilton Montreal Bonaventure Hotel, Montreal, Quebec Canada <Not Available>. 2014-11-26 from http://citation.allacademic.com/meta/p481092_index.html

Publication Type: Conference Paper/Unpublished Manuscript
Abstract: Vasari travelled to Venice twice, in 1541-42 and in 1566. Although some aspects of his visits have been studied, many questions still remain: what he saw in this major center of artistic production that was so different from the central Italian context in which he thrived; what works of art he left behind, in painted and in print form; and what he took away from Venice when he left. This paper will focus on lesser-known works by Vasari in Venice - such as designs for woodcut illustrations - and what they reveal about the literary and artistic circles in which he moved.


Similar Titles:
Geographically Mobile: Depicting Myths in Venice, Depicting Venice in Myths

Giorgio Vasari as Metrodorus of Athens: Pietro Aretino’s Response to Vasari’s Description of the Apparati Designed for Charles V’s Entry into Florence, 30 April 1536

Religious Attitudes in Giorgio Vasari's Vite: Vasari in the Context of Popular Devotional Literature in Sixteenth-Century Italy


 
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