Citation

The Chansonniers of Nicolas Du Chemin: A Digital Forum for Renaissance Music Books

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Abstract:

The digital environment offers much that will advance the study, teaching, and performance of early music. Focusing on a neglected but important repertory of secular polyphonic songs from mid-sixteenth-century Paris, The Chansonniers of Nicolas Du Chemin puts an unprecedented range of modern editions, facsimiles, critical commentaries, and practical editorial tools before a diverse audience of modern readers. We are now poised to move ahead with a new phase of work envisaged from the outset of our project: a virtual workshop in which many contributors could experiment with the challenges of restoring voice parts lost as music books were damaged or dispersed in the nearly five hundred years since they were first composed, published, and performed. There will be a thesaurus of musical devices drawn from theoretical and practical literature that informs our restorations, and there will be new kinds of digital editions in which alternative solutions and layers can be explored in a flexible virtual space.
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Association:
Name: RSA Annual Meeting
URL:
http://www.rsa.org


Citation:
URL: http://citation.allacademic.com/meta/p483526_index.html
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MLA Citation:

Freedman, Richard. "The Chansonniers of Nicolas Du Chemin: A Digital Forum for Renaissance Music Books" Paper presented at the annual meeting of the RSA Annual Meeting, Hilton Montreal Bonaventure Hotel, Montreal, Quebec Canada, <Not Available>. 2014-11-26 <http://citation.allacademic.com/meta/p483526_index.html>

APA Citation:

Freedman, R. "The Chansonniers of Nicolas Du Chemin: A Digital Forum for Renaissance Music Books" Paper presented at the annual meeting of the RSA Annual Meeting, Hilton Montreal Bonaventure Hotel, Montreal, Quebec Canada <Not Available>. 2014-11-26 from http://citation.allacademic.com/meta/p483526_index.html

Publication Type: Conference Paper/Unpublished Manuscript
Abstract: The digital environment offers much that will advance the study, teaching, and performance of early music. Focusing on a neglected but important repertory of secular polyphonic songs from mid-sixteenth-century Paris, The Chansonniers of Nicolas Du Chemin puts an unprecedented range of modern editions, facsimiles, critical commentaries, and practical editorial tools before a diverse audience of modern readers. We are now poised to move ahead with a new phase of work envisaged from the outset of our project: a virtual workshop in which many contributors could experiment with the challenges of restoring voice parts lost as music books were damaged or dispersed in the nearly five hundred years since they were first composed, published, and performed. There will be a thesaurus of musical devices drawn from theoretical and practical literature that informs our restorations, and there will be new kinds of digital editions in which alternative solutions and layers can be explored in a flexible virtual space.


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