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Transnational Encounters in Music: Eduard Zuckmayer and the Transformation of Music Education in Turkey (1890-1950)

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Abstract:

Running away from persecution of the National Socialists, hundreds of German professionals found a safe haven in Turkey in the 1930s. Ironically, the refugees, who had just lost their German citizenship because of their Jewish background, proved of great use to the young Turkish Republic in its nation-building project, precisely because of their German heritage and expertise. Some of these refugees were appointed top administrators for state-directed cultural institutions; some institutions such as the “State Theatre Conservatory” were founded under their leadership. The German émigrés brought ideas, techniques, and organizational experience to their new home. They were in turn transformed by the Turkish culture. This paper analyzes the transnational encounters in music since the late nineteenth century to the modern day Turkey. It examines how Turkish national music was constructed and served the needs of the state [read Republican mindset] and focuses on the contributions of Eduard Zuckmayer (b. 1890 – d. 1972) to the institutionalization of music education during the single party era.
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Association:
Name: International Studies Association Annual Conference "Global Governance: Political Authority in Transition"
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http://www.isanet.org


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URL: http://citation.allacademic.com/meta/p501079_index.html
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MLA Citation:

Kadercan, Pelin. "Transnational Encounters in Music: Eduard Zuckmayer and the Transformation of Music Education in Turkey (1890-1950)" Paper presented at the annual meeting of the International Studies Association Annual Conference "Global Governance: Political Authority in Transition", Le Centre Sheraton Montreal Hotel, MONTREAL, QUEBEC, CANADA, Mar 16, 2011 <Not Available>. 2014-11-26 <http://citation.allacademic.com/meta/p501079_index.html>

APA Citation:

Kadercan, P. , 2011-03-16 "Transnational Encounters in Music: Eduard Zuckmayer and the Transformation of Music Education in Turkey (1890-1950)" Paper presented at the annual meeting of the International Studies Association Annual Conference "Global Governance: Political Authority in Transition", Le Centre Sheraton Montreal Hotel, MONTREAL, QUEBEC, CANADA <Not Available>. 2014-11-26 from http://citation.allacademic.com/meta/p501079_index.html

Publication Type: Conference Paper/Unpublished Manuscript
Abstract: Running away from persecution of the National Socialists, hundreds of German professionals found a safe haven in Turkey in the 1930s. Ironically, the refugees, who had just lost their German citizenship because of their Jewish background, proved of great use to the young Turkish Republic in its nation-building project, precisely because of their German heritage and expertise. Some of these refugees were appointed top administrators for state-directed cultural institutions; some institutions such as the “State Theatre Conservatory” were founded under their leadership. The German émigrés brought ideas, techniques, and organizational experience to their new home. They were in turn transformed by the Turkish culture. This paper analyzes the transnational encounters in music since the late nineteenth century to the modern day Turkey. It examines how Turkish national music was constructed and served the needs of the state [read Republican mindset] and focuses on the contributions of Eduard Zuckmayer (b. 1890 – d. 1972) to the institutionalization of music education during the single party era.


Similar Titles:
Transforming Music Education Curriculum in a Middle School Music Program by Integrating Supportive Technology

Revealing to (Re)Signify: Educational Processes and the Transformation of the Subjects in a Musical Educational Practice

Music Education in a Time of Exponential Change: How the Internet Is Transforming Musical Experience and Music Education


 
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