Citation

“Hoodoo Religion and American Dance Traditions: Rethinking the Ring Shout”

Abstract | Word Stems | Keywords | Association | Citation | Similar Titles



Abstract:

When one considers the history of American dance traditions one rarely thinks about its possible relationship to the local African American “Sanctified” or fundamentalist church described in works such as James Baldwin’s Go Tell it On the Mountain. This article examines the historical relationship between early African American slave worship and its contribution to both the social and theatrical dance traditions of the United States.
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Association:
Name: 36th Annual National Council for Black Studies
URL:
http://www.ncbsonline.org


Citation:
URL: http://citation.allacademic.com/meta/p560465_index.html
Direct Link:
HTML Code:

MLA Citation:

Hazzard-Donald, Katrina. "“Hoodoo Religion and American Dance Traditions: Rethinking the Ring Shout”" Paper presented at the annual meeting of the 36th Annual National Council for Black Studies, Sheraton Atlanta Hotel, Atlanta, GA, <Not Available>. 2014-11-24 <http://citation.allacademic.com/meta/p560465_index.html>

APA Citation:

Hazzard-Donald, K. "“Hoodoo Religion and American Dance Traditions: Rethinking the Ring Shout”" Paper presented at the annual meeting of the 36th Annual National Council for Black Studies, Sheraton Atlanta Hotel, Atlanta, GA <Not Available>. 2014-11-24 from http://citation.allacademic.com/meta/p560465_index.html

Publication Type: Panelist Abstract
Abstract: When one considers the history of American dance traditions one rarely thinks about its possible relationship to the local African American “Sanctified” or fundamentalist church described in works such as James Baldwin’s Go Tell it On the Mountain. This article examines the historical relationship between early African American slave worship and its contribution to both the social and theatrical dance traditions of the United States.


Similar Titles:
Rethinking the Ring Shout: Dance of the Lost Hoodoo Religion

Great Basin Apocalypse: The Desert Origins of the 1890 Ghost Dance and the Environmental History of an American Religion

Innovating Traditions: Race, Ethnicity and Religion among the Asian American and Latino Second Generation

My Body, My Love, My Religion: Somatic Libratory Pactices within African American Post-Colonial Sacred Dance


 
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