Citation

The Spiritual is Political: Queer Chicana and Filipino American Art as Liberating Practice

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Abstract:

This paper articulates how Chicana and Filipino American artists utilize visual culture as alternative sites of anti-colonial resistance. For these artists of color, however, the function of art is not limited to social commentary: visual artistic expression also encompasses a spiritual/religious dimension that provides a sense of transformative healing. Drawing from the collection of Chicana and Filipino American art as analyzed in the writings of Laura Pérez and Sarita See, I relate how visual culture is utilized as an innovative space for the re-presentation and reclaiming of subjectivities and indigenous spiritualities for these two distinct yet interrelated groups.
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Association:
Name: National Women's Studies Association
URL:
http://www.nwsa.org


Citation:
URL: http://citation.allacademic.com/meta/p573487_index.html
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MLA Citation:

Arquero, Darren. "The Spiritual is Political: Queer Chicana and Filipino American Art as Liberating Practice" Paper presented at the annual meeting of the National Women's Studies Association, Oakland Marriott City Center, Oakland, CA, <Not Available>. 2014-12-11 <http://citation.allacademic.com/meta/p573487_index.html>

APA Citation:

Arquero, D. "The Spiritual is Political: Queer Chicana and Filipino American Art as Liberating Practice" Paper presented at the annual meeting of the National Women's Studies Association, Oakland Marriott City Center, Oakland, CA <Not Available>. 2014-12-11 from http://citation.allacademic.com/meta/p573487_index.html

Publication Type: Individual Paper
Abstract: This paper articulates how Chicana and Filipino American artists utilize visual culture as alternative sites of anti-colonial resistance. For these artists of color, however, the function of art is not limited to social commentary: visual artistic expression also encompasses a spiritual/religious dimension that provides a sense of transformative healing. Drawing from the collection of Chicana and Filipino American art as analyzed in the writings of Laura Pérez and Sarita See, I relate how visual culture is utilized as an innovative space for the re-presentation and reclaiming of subjectivities and indigenous spiritualities for these two distinct yet interrelated groups.


Similar Titles:
“Locating Chicana Spiritualities: The Convergence of the Spiritual and Political in the Lives and Works of Santa Barraza and Carmen Lomas Garza”

Queer Ideology, Political Practice, and the Indian Queer Movement: A Discourse on the Inclusion and Exclusion of Gender Variant Identities Within Contemporary Indian Queer Politics


 
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