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Showing 1 through 5 of 1,896 records.
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2016 - BEA Pages: unavailable || Words: unavailable || 
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1. Lee, Hun-Yul. "Production revelation, reality, and reality shows in Korea: Why and how production is revealed to enhance reality" Paper presented at the annual meeting of the BEA, Westgate Hotel & Casino, Las Vegas, NV, Apr 17, 2016 Online <PDF>. 2019-03-24 <http://citation.allacademic.com/meta/p1113928_index.html>
Publication Type: General Paper Submission
Review Method: Peer Reviewed
Abstract: This article focuses on a peculiar phenomenon in Korean television—revelations of production activities in reality shows. For example, the revelation regarding production of the popular television show Two Days and One Night (1bak 2il) is closely connected with reality television. In general, reality shows bring about reality with the appearance of ordinary people, but Korean reality shows cannot do that for various reasons. Korean producers often replace the reality of ordinary people with production reality through bloopers, intended revelations, and appearances as regular guests. These kinds of revelations utilizing production activities and production staff are efficient replacements for ordinary people. They portray historical reality in the workplace and provide authenticity. This choice for revelation is a conservative one, as it closes the door for ordinary people to achieve the fifteen minutes of fame. However, stylistic decisions amidst rising competition, flexibilization of broadcasting labor, and technological developments in Korean broadcasting seem inevitable.

2017 - BEA Pages: unavailable || Words: unavailable || 
Info
2. Bunker, Matthew. "Reality Bites: The Limits of Intellectual Property Protection for Reality Television Shows" Paper presented at the annual meeting of the BEA, Westgate Hotel & Casino, Las Vegas, NV, Apr 22, 2017 Online <APPLICATION/PDF>. 2019-03-24 <http://citation.allacademic.com/meta/p1234751_index.html>
Publication Type: Open Paper
Review Method: Peer Reviewed
Abstract: Reality television is an incredibly successful genre of entertainment. Reality TV has had enormous ratings success beginning in the early 2000’s, and its influence (and revenues) are only likely to increase. Given the value of these properties, an important issue for reality TV creators and producers is the degree of intellectual property protection available to stop competitors from appropriating the content of reality programming. This paper first documents the rise of the reality genre. It then explores both copyright and trademark jurisprudence affecting reality plaintiffs and offers original analysis of this important aspect of intellectual property law.

2018 - ICA's 68th Annual Conference Pages: unavailable || Words: unavailable || 
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3. Lavie, Noa. "Working in the Reality TV Industry: The Regime of Justification of Reality Creators in Israel" Paper presented at the annual meeting of the ICA's 68th Annual Conference, Hilton Prague, Prague, Czech Republic, May 22, 2018 Online <APPLICATION/PDF>. 2019-03-24 <http://citation.allacademic.com/meta/p1363564_index.html>
Publication Type: Conference Paper/Unpublished Manuscript
Review Method: Peer Reviewed
Abstract: This article examines the justification discourse of Israel TV’s reality show creators as a case study of how employees of the culture industries perceive their work. On the one hand, creators of Israeli reality TV operate in an unstable and competitive environment, and on the other, their work is criticized as inferior and culturally corrupting. Here we combine Luc Boltanski’s pragmatist sociology, which studies the rationale of social agents, and the cultural industries approach to explore the regime of justification employed by reality show creators in Israel. An in-depth analysis of interviews with leading creators of the genre sheds light on the arguments they use to justify reality programming and draws home how deeply they are ingrained in hegemonic capitalist discourse.

2009 - International Communication Association Pages: 27 pages || Words: 8770 words || 
Info
4. Fogel, Jennifer. "Reality Parenting 101: Celebrity Dads, Reality Sitcoms, and New “Old-School” Family Values" Paper presented at the annual meeting of the International Communication Association, Marriott, Chicago, IL, May 21, 2009 Online <PDF>. 2019-03-24 <http://citation.allacademic.com/meta/p298077_index.html>
Publication Type: Conference Paper/Unpublished Manuscript
Review Method: Peer Reviewed
Abstract: Amidst a deluge of celebrities parading their personal lives before the cameras to raise their own celebrity status or resurrect dwindling careers, a host of stars have elected to invite cameras into their homes in order to put forth reality sitcoms centered on the presentation of strong family morals and simple parenting lessons. Reality sitcoms have become the next generation of domestic sitcoms by adhering to generic sitcom conventions and consciously using family values as its foundation. Of these reality sitcoms, two iconic musicians, Joseph “Reverend” Simmons of Run-DMC and Gene Simmons from KISS, have used their respective cable shows as a pulpit to preach – often through humor – a return to paterfamilias and the importance of family love and loyalty, even for the most unconventional families. Despite different parenting styles and attitudes, both reality TV dads are the Ward Cleavers of a new generation.

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