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Showing 1 through 5 of 1,894 records.
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2016 - BEA Pages: unavailable || Words: unavailable || 
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1. Lee, Hun-Yul. "Production revelation, reality, and reality shows in Korea: Why and how production is revealed to enhance reality" Paper presented at the annual meeting of the BEA, Westgate Hotel & Casino, Las Vegas, NV, Apr 17, 2016 Online <PDF>. 2019-01-18 <http://citation.allacademic.com/meta/p1113928_index.html>
Publication Type: General Paper Submission
Review Method: Peer Reviewed
Abstract: This article focuses on a peculiar phenomenon in Korean television—revelations of production activities in reality shows. For example, the revelation regarding production of the popular television show Two Days and One Night (1bak 2il) is closely connected with reality television. In general, reality shows bring about reality with the appearance of ordinary people, but Korean reality shows cannot do that for various reasons. Korean producers often replace the reality of ordinary people with production reality through bloopers, intended revelations, and appearances as regular guests. These kinds of revelations utilizing production activities and production staff are efficient replacements for ordinary people. They portray historical reality in the workplace and provide authenticity. This choice for revelation is a conservative one, as it closes the door for ordinary people to achieve the fifteen minutes of fame. However, stylistic decisions amidst rising competition, flexibilization of broadcasting labor, and technological developments in Korean broadcasting seem inevitable.

2017 - Leading Learning for Change - AECT Words: 74 words || 
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2. Roman, Tiffany., Racek, Jon., Kirk, Todd. and Decker, Matt. "Reality Labs and Mobile VR Solutions: Bringing Virtual Reality to General Education and Active Learning Classrooms." Paper presented at the annual meeting of the Leading Learning for Change - AECT, Hyatt Regency Jacksonville Riverfront, Jacksonville, Florida, Nov 07, 2017 <Not Available>. 2019-01-18 <http://citation.allacademic.com/meta/p1298083_index.html>
Publication Type: General Presentation
Review Method: Peer Reviewed
Abstract: Reality Labs is Indiana University’s initiative to bring virtual reality (VR) solutions to general education and active learning classrooms. Learn about faculty exemplar cases and IU’s support model for faculty and students using VR. Explore VR technologies, including an Acer G1 Predator gaming computer, a HTC Vive head-mounted VR display and wireless gaming peripherals. Review the possibilities/challenges of mobile VR solutions, which allow VR to be shared between classrooms and transported to outdoor environments.

2005 - American Sociological Association Pages: 18 pages || Words: 4725 words || 
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3. Filoteo, Janie. "Placing Reality TV in the Cultural Spectrum: Making a Case for Studying the World of Reality Television" Paper presented at the annual meeting of the American Sociological Association, Marriott Hotel, Loews Philadelphia Hotel, Philadelphia, PA, Aug 12, 2005 Online <PDF>. 2019-01-18 <http://citation.allacademic.com/meta/p23432_index.html>
Publication Type: Conference Paper/Unpublished Manuscript
Abstract: The rapid explosion of reality television has created a vacuum of scholarly research on a form of media that has quickly permeated the current cultural landscape. Specifically, the idea that through the use of ‘non-actors’ and unscripted premises, we can garner some ideas of the basic structure of society is both controversial and appealing. Though the basic premise of entertainment television is that this type of program is nothing more than diversion, the fact remains that these types of programs are organized to attract audiences for either personal satisfaction or financial profit (Turow 1991: 165). Ouellette and Murray contend that reality TV is “an unabashedly commercial genre united less by aesthetic rules or certainties than by the fusion of popular entertainment with a self-conscious claim to the discourse for the real” (2004:2). The proliferation of reality TV also points to changes taking place in the industrial context of labor unrest, changing technologies, and other financial considerations. The emphasis of reality programming on audience interaction and commercial orientation makes the meanings and representations shown to viewers a significant aspect of this genre. These facts in conjunction with the pervasiveness of reality TV, makes an understanding of this medium incredibly important. The current research seeks to examine the factors that make this genre worthy of study and what studying reality TV can tell us about society including race, ethnicity, and race and ethnic relations.

2017 - BEA Pages: unavailable || Words: unavailable || 
Info
4. Bunker, Matthew. "Reality Bites: The Limits of Intellectual Property Protection for Reality Television Shows" Paper presented at the annual meeting of the BEA, Westgate Hotel & Casino, Las Vegas, NV, Apr 22, 2017 Online <APPLICATION/PDF>. 2019-01-18 <http://citation.allacademic.com/meta/p1234751_index.html>
Publication Type: Open Paper
Review Method: Peer Reviewed
Abstract: Reality television is an incredibly successful genre of entertainment. Reality TV has had enormous ratings success beginning in the early 2000’s, and its influence (and revenues) are only likely to increase. Given the value of these properties, an important issue for reality TV creators and producers is the degree of intellectual property protection available to stop competitors from appropriating the content of reality programming. This paper first documents the rise of the reality genre. It then explores both copyright and trademark jurisprudence affecting reality plaintiffs and offers original analysis of this important aspect of intellectual property law.

2018 - ICA's 68th Annual Conference Pages: unavailable || Words: unavailable || 
Info
5. Lavie, Noa. "Working in the Reality TV Industry: The Regime of Justification of Reality Creators in Israel" Paper presented at the annual meeting of the ICA's 68th Annual Conference, Hilton Prague, Prague, Czech Republic, May 22, 2018 Online <APPLICATION/PDF>. 2019-01-18 <http://citation.allacademic.com/meta/p1363564_index.html>
Publication Type: Conference Paper/Unpublished Manuscript
Review Method: Peer Reviewed
Abstract: This article examines the justification discourse of Israel TV’s reality show creators as a case study of how employees of the culture industries perceive their work. On the one hand, creators of Israeli reality TV operate in an unstable and competitive environment, and on the other, their work is criticized as inferior and culturally corrupting. Here we combine Luc Boltanski’s pragmatist sociology, which studies the rationale of social agents, and the cultural industries approach to explore the regime of justification employed by reality show creators in Israel. An in-depth analysis of interviews with leading creators of the genre sheds light on the arguments they use to justify reality programming and draws home how deeply they are ingrained in hegemonic capitalist discourse.

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